Darkwell Verbatim

Alternative philosophy, photography, promotion, and nightlife through the minds of Shadow Darkwell and Darkwell Studios. It’s a dark way down…

Never Been One of Those Persons

Model: Sarah Birch Black. Copyright © 2013 Darkwell Studios. All rights reserved. www.darkwellstudios.com

I always imagine artists in the frenzy of their inspiration: hammering the keyboard, slashing the canvas, or firing their ratta-tat-tatta shutter at their subject.

I’ve never been one of those persons.
I don’t know that I’ve ever felt inspiration.

Sometimes (rare times), I forget to think. I act. My mind dims, yet my fingers type. My hand guides my camera guides my face, and photos are taken. These black-out moments often result in great works—but I hardly remember them. There’s no fun—no elation. Where’s my eureka moment?

Most often, like getting out of bed, I push through the webs of distraction and despair and with great determination I force myself to repeat the same old photographic process that enamor so many to my work, yet bores me to tears. I look at the results, sigh, and try again, and again, and again, and—

*mutes his phone*

…eventually, something a little different results. It’s not great, it’s even new, really; it’s just skewed a degree from the norm. And it looks okay. Possibly good, but at least not bad. So, I save it to my catalog. I look. Two hours have passed.

“Should’ve been faster. Hardly anything at all.”

And I continue.

Is this inspiration? Or am I just broken?

Or perhaps I am a non-artist who, through a sheer force of will, still manages to produce art. Well, at least that’s sort of positive…

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Penultimate Days

Model: Kiera Raven Monet. Copyright © 2013 Darkwell Studios. All rights reserved. www.darkwellstudios.com

I began my serious pursuit of photography not because of any love for photography, but because of its potential to take me amazing places and introduce me to amazing people. It fulfilled its original design.

Then, I made a mistake. I began to care about photography itself. I pushed away these people, these places, and dedicated myself entirely to the art.

I seldom paused, rarely looked back, and NEVER gave up, in spite of failure crossing my mind in all its myriad of forms. I WAS THERE FOR MY PHOTOGRAPHY.

But it wasn’t there for me.
It wasn’t there for me…

It left me behind. It abandoned me. It took all I had to give and gave nothing back—but I should have expected that. Like a lover, if you give it everything, you lose yourself, and start seeking what was once inside yourself outside yourself. And it’s never outside. And that which you sacrificed yourself to doesn’t want the new, empty you.

Now, what, photography?

Can we learn to live our own lives and
still enjoy our special moments together?
Or is our relationship in its penultimate days?

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Resurrection: A Fond Photographic Farewell

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It is with a heavy heart which I now share that I will no longer be Resurrection’s photographer.

This decision is without animosity, but is the necessary result of my development as a photographer and a person. Back in 2008, Resurrection, and all of the awesome people who comprise it, welcomed me to explore and develop my nightlife photography. For five years and nearly 80,000 photos, I have had the unique opportunity to document the life of a club and the people in it—but now, after much painful deliberation, I must take my leave.

Photographing even a small event is a large commitment. It involves thousands of dollars in equipment, 10 – 15 hours capturing, editing, and uploading photos, and continuously resisting the urge to spend time with friends I dearly miss. Resurrection is a labor of love for all involved, and as such, it can no long afford to support me in my eternal quest to elevate Darkwell Studios to the next level.

Resurrection’s 7 Year Anniversary was a grand event! It was packed wall to wall with more of my New Hampshire friends—dressed your best and having fun—than ever before. I arrived early, departed late, gave 110%, and received many of the best Resurrection photos I’ve ever captured. I could have conceived of no greater finale to Darkwell Studios’ Resurrection photography.

This is unlikely to be an absolute end to Darkwell Studios’ photography at Resurrection. I have an open invitation to return with my camera at will, and I may occasionally do so, in one unorthodox fashion or another. And keep your ears to the dance floor, for I have heard murmurs of yet greater events in Resurrection’s future, for which my camera may make an appearance…

In parting, I bid you all a fond photographic farewell. Although I will miss your pretty faces in my galleries, I assure you that I will still be frequenting Resurrection, but now to enjoy Resurrection as I have missed it most—with my friends.

Be well, all, and I will catch you where light meets the darkness!

- Shadow -

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Why Am I A Photographer Again?

My Great Disconnect

My Great Disconnect

I’m fine. I really am. Don’t let this article convince you otherwise. I’ve felt this way for a while. I’m not even in a bad mood. Today has been perfectly normal, actually. And therein lies the problem…

I sit here listening to the whiny lyrics of The Smashing Pumpkins’ Ava Adore on repeat. I only became fond of Ava Adore upon seeing the accompanying music video. It is dark, eccentric, and altogether inspiring; but inspiring to what? I look at the uninterrupted black screen from which my next textual masterpiece is meant to arise-yet it never does. Never.

I’m a photographer who on a good month could support himself, yet I don’t see the world in photographs. Even the most astounding photographs fail to inspire me for more than a passing moment. This is a common issue for me. In a past life, I was an author. I published some short fiction. It was very well-received, and I enjoyed that, but I never enjoyed writing. Or reading for that matter. Eventually, I gave up.
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Photo Shoot: Lilith Astaroth (June 2011)

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FLASHBACK: Lilith Astaroth and I, seated in Dunkin’ Donuts. Lilith is texting. Slave Slavid grimaces while holding a bloody napkin to his lip. Lady Starr Love giggles at a worried clerk peeking around the corner. Lilith glances at me from her upheld phone, “I have to be somewhere at seven.” Yeah, things got complicated.

FLASHFORWARD: Wednesday, three days later, the same crew has reconvened at my condo. Lilith Astaroth is in the bathroom slipping into her latex “Mortal Combat” outfit. Lady Starr Love and I chat with Slavid, trying to ignore the giant pustule that replaced his lip. We are about to embark on the final part of Saturday’s shoot—the part where we travel to Purgatory Falls, far from skittish locals and stern officers, to where Lilith and her sword may berserk in peace.
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Photo Shoot: Lilith Astaroth (May 2011)

2011.05.29

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Lilith Astaroth and I have history. Just check our Model Mayhem pages (Darkwell Studios | Lilith Astaroth). Lilith and I have coupled our skills more often than with anyone else. Cue warm-fuzzy feelings: *Awww…!* The point is, although we’ve grown quite comfortable together since meeting in mid-2010, this was our first shoot to have an actual theme-”Summer”. Sure, mock its simplicity; it’s great a place to start!

Lilith I were accompanied by our companions: my Lady Starr Love, who films our adventures, and her slave Slavid, who slavishly slaved for both of us. Lilith, Starr, and I had a great time. Slavid, unfortunately, experienced a more painful journey than us all.
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Photo Shoot: Irina Vladimirovna (May 2011)

2011.05.14

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Feelings of beauty faded, innocence lost, and hope left behind inspired this shoot-emotions that I’d long sought to express through my photography. I convinced myself that I lacked appropriate models and locations. In truth, I simply lacked confidence. With confidence, we surmount obstacles as a matter of fact. It was time to take control. I was determined that this shoot would succeed.

Between you and me, I was so determined that I booked everything-model, outfits, and assistance-all before the location was finalized. Still, I wasn’t completely daft. I also contacted Mount Auburn Cemetery for approval to shoot there as a contingency. Then, even when they denied my uncompensated ‘art-for-art’s sake’ shoot due to its commercial nature (say what?), I still miraculously pulled a pristine white rabbit out of my ass; I secured another private cemetery in which to shoot without a day to spare. There must be awards for this shit!
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Photo Shoot: Devan the Impaler (April 2011)

2011.04.30

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It is not every day that I discover a model whose modeling skills out-class my photography. Devan the Impaler is one such rare individual. Her work graces the portfolios of nearly every alternative photographer in New England. If I know of them, she has shot with them. Having been friends since 2009, part of me regretted not photographing her earlier. The greater part of me, however, knew that had we shot earlier, she would have put me to shame.

This shoot was simply “Red Riding Hood” with a Goth/glam twist-Nothing overly ambitious, yet a perfect way for our styles to meet. I had chosen three locations, each a different take on the journey grandmother’s house. I only hoped Devan’s style would play nicely with my own, lest my camera and person emerged scathed by any proverbial kicks to the shin.
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